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The Baroque period was an important time in the history of the
world. Galileo, Kepler and
Throughout the Baroque period, composers continued to be employed by the church and wealthy ruling class. This system of employment was called the patronage system. As the patron paid the composer for each work and usually decided what kind of piece the composer should write, this limited their creative freedom.
Dances were popular during this period as well as preludes, fugues, suites, toccatas and theme and variations. Binary and ternary forms were used frequently.
Two or more melodies played at the same time created a musical texture called counterpoint. There were frequent harmonic changes. Tonality was based on major and minor keys.
Keyboard Instruments
The clavichord, harpsichord, and organ were used.
Emphasis was on strong beats, upbeats and fast-changing rhythmic motion. Eighths, 16ths and triplets were frequently used.
Style
Phrase and expression marks were not used. Faster notes were normally played legato; slower notes were normally played nonlegato. Ornaments were used frequently.
Composers like Johann Sebastian Bach reacted to the Baroque trend of fancy ornamentation by creating complex polyphonic music consisting of elaborate melodies layered top of each other. Often these melodies contained trills and fast moving notes. The idea of using chords to accompany one or more melody lines also became common. In adition, composers began to write dynamics andtempo markings in their music. Improvisation also became common, even in the Church. Finally, composers began to use their music to express emotions such as joy and anger.
The Baroque period saw the birth of a new form of music called opera. Opera combined music, acting, scenery, costumes, and props. Actors and actresses sing the script, or libretto. Some Operas are serious (opera seria), and some are funny (opera buffa). The first opera was Orfeo, by Claudio Monteverdi.
Similar to the opera is the cantata. The Cantata, like the opera, is a series of arias and recitatives. However, the cantata is not staged or acted.
During the Baroque period, instrumental music became as important as vocal music. The Baroque period saw a rise in music for flute, oboe, bassoon, trombone, valveless trumpets and horns, harpsichord, and organ. Recorders became less popular, and viols were gradually replaced by violins, violas, and cellos. Timpani was the only percussion instrument used in serious music.
Much of the music written for instruments contained several contrasting sections or movements. One example is the concerto. Concertos were developed in the second half of the 17th century by Italian composers like Torelli, Alessandro Scarlatti, and Corelli. Within 25 years, almost all major centres had their own concerto composer. One of the most famous concertos is Antonio Vivaldi's Four Seasons.
Concertos sometimes featured one soloist or a group of soloists. Concertos featuring a group of soloists were known as concerto grossos. Concerto grossos were written for a group of solo instruments and orchestra, and usually contained three movements (fast-slow-fast).
Vivaldi, "Winter" Concerto (Op. 8, No.4), mvmt. 1
The music of the Baroque Period is even more popular today than it was four hundred years ago. Its unique styles, textures, and forms enchant and delight millions of listeners each year. From Bach to Sammartini, each composer on this list greatly influenced the shape and course of classical music.
Born in the same year as J.S. Bach in a town
fifty miles away, George Frideric Handel, who later
became a British citizen, led a much different life than Bach. Handel, too,
composed for every musical genre of his time, even creating the English
oratorio.
Popular Works: The
Messiah, Music for the Royal Fireworks, and Water Music
Vivaldi wrote over 500 concertos and is believed to have invented ritornello form (a theme returning throughout the piece). However, much of Vivaldi’s music lay “undiscovered” until the early 1930’s; this newly discovered music earned Vivaldi the title “The Viennese Counterpart to Bach and Handel.” Popular Works: The Four Seasons, Gloria, and Con Alla Rustica in G
A good friend of both Bach
and Handel, George Philipp Telemann was also a distinguished musician and
composer of his time. Telemann’s incorporation of unusual instrumentation in
his concertos is one of the things that that made him unique.
Popular Works: Viola Concerto in G, Trio Sonata in C minor, and the
Paris Quartets
Arcangelo Corelli was an
Italian teacher, violinist, and composer. Corelli’s mastery of the tone of the
newly invented violin earned him great reviews throughout
With a lifetime of only thirty-five years,
Purcell achieved such musical greatness as being considered one of
Domenico Scarlatti, son of
Alessandro Scarlatti (another well-known baroque composer), wrote 555 known
harpsichord sonatas, of which, over half was written in the last six years of
his life. Scarlatti made use of Italian, Portuguese, and Spanish dance rhythms
throughout many of his works.
Popular Works: Essercizi per Gravicembalo (sonatas for harpsichord)
A French composer, Jean-Philippe Rameau’s
music was known for its bold melodic lines and harmonies. Aside from
harpsichord, Rameau’s greatest contribution to music was in tragédie lyrique opera. His wide use of moods and musical
colors were beyond those of his counterparts.
Popular Works: Hippolyte et
Aricie and Castor et Pollux,
Trait, and Les Indes galantes
Johann Pachelbel
taught Johann Christoph Bach (J.S. Bach’s older
brother) music. J.C. Bach said that J.S. Bach greatly admired Pachelbel’s music. Pachelbel’s
music is considered by many to be stylistically related to J.S. Bach’s.
Popular Works: Pachelbel Canon, Chaconne in F
minor, and Toccata in C minor for organ
Giovanni Battista Sammartini
is one of the earliest composers of the symphony (sixty-eight of them have
survived). Many believe his symphonic works and thematic development are the
precursors to Hayd and Mozart.
Popular Works: Sonata No. 3, Recorder Sonata in A minor
6. Henry Purcell
7. Domenico Scarlatti
8. Jean-Philippe
Rameau
9. Johann Pachelbel
10. Giovanni
Battista Sammartini
Handel
Johan Sebastian Bach
Antonio VivaldiBorn: February 23, 1685 –
Died: April 14, 1759 –
Handel was born to Georg Handel (1622-97) and Dorothea Taust (1651-1730). Handel’s father, Georg, was a
barber-surgeon for the Duke of Saxe-Weissenfels; his
mother was the daughter of a pastor. Because Handel’s father wanted him to become a lawyer,
Georg prevented Handel from playing any musical instruments. However, Handel
managed to sneak past his father’s command by playing the hidden clavichord in
the attic. At the age of 9, the Duke heard Handel playing the organ and
convinced Georg to let Handel study music under Friedrich Zachow.
When Handel was just 12, his father died leaving Handel as the “man of the
household.” Perhaps just in case Handel’s musical career was not as
successful as he hoped it would be, records show that
Handel had, in fact, enrolled into
In
Much of Handel’s time during the 1720’s and 30’s was
spent composing operas. However, he still found time to compose many other
works. During the last few years of the 1730’s, Handels operas were not as successful. Afraid of his
future success, he responded by focusing more on oratorio. In 1741, Handel
composed the wildly successful Messiah which was originally sung by a
choir of 16 and an orchestra of 40. He left to
During the last ten years of Handel’s life, he regularly
performed his Messiah. Because of its success, he returned to
Handel Quick Facts:
Handel's Family
Background:
Childhood:
Teenage Years:
Early Adult Years:
Mid Adult Years:
Late Adult Years:
Origins of Handel's
Messiah:
The creation of Handel's Messiah was actually induced by Handel's
librettist, Charles Jennens. Jennens
expressed in a letter to his friend that he wanted to create a Scriptural
anthology set to music by Handel. Jennens' desire
quickly turned into reality when Handel composed the entire work in only
twenty-four days. Jennens wished for a
Charles Jennens, a literary scholar, editor of
Shakespeare's plays, and an admirer of Handel's work, received his education
from
About the Music: Throughout Messiah Handel employs a technique called text painting, where the musical notes mimic the lines of text. Jennens divided Messiah into three acts, giving the audience a better understanding of the music while simultaneously retaining its opera-like qualities. The most famous and recognizable piece form Handel's Messiah is the "Halleluja" chorus, ending the second act.
Messiah's First
Performance:
Messiah was met with eager ears at its debut on April 13, 1742. He had
staged a public rehearsal the day before its premier, creating quite a buzz. It
is said that hundreds of people were turned away due to lack of space. At its
debut, Messiah was actually titled A Sacred Oratorio and all its
proceeds were donated to local charities and hospitals for the mentally ill at
the request of Jonathan Swift, Dean of St. Patrick's Cathedral.
Today's Messiah:
Since its debut, there are many versions of Handel's Messiah. Handel
himself reworked and edited his score countless times to fit the needs and
abilities of his performers. While the true original is lost in a sea of
variations, today's Messiah is as close to the original as music
historiographers can agree upon.
Bach received formal lessons in keyboard, but his virtuosity was self-taught. Bach's works include over 200 church cantatas, the Brandenburg Concertos, B Minor Mass, four passions, and the Well-Tempered Clavie
While in school, Bach studied orthodox Lutheranism, logic, rhetoric, Latin and Greek, arithmetic, history, geography and German poetry.
Bach was a keyboard virtuoso. He mastered organ and later harpsichord.
Although Bach received formal lessons, his virtuosity was self-taught.
Bach's father, Johann Ambrosius, married Maria Elisabeth Lämmerhirt on April 8, 1668. They had eight children, five of which survived; Johann Sebastian (the youngest), his three brothers and his sister. Bach's father worked as a houseman and a musician in the ducal court of Saxe-Eisenach. Bach's mother died in 1694 and a few months later, Bach's father married Barbara Margaretha. Unfortunately, three months into his second marriage, he died of a serious illness.
When Bach was 9 years old, he attended his oldest brother's (Johann Christoph) wedding where he met Johann Pachelbel, composer of the famous Pachelbel Canon. When Bach's father died, he and his brother were adopted by Christoph. Christoph was an organist at St. Michaels church in Ohrdruf. Bach received his first lessons in organ from Christoph, but became "a pure and strong fuguist" by himself.
Bach attended Lyceum until 1700. While at Lyceum, he learned reading, writing, arithmetic, singing, history, natural science, and religion. He was forth in his class when he finished his schooling. He then left school and went to Lüneburg. Bach learned a bit about organ building while staying with his brother in Ohrdruf; due entirely to the frequent repairs of the church organs.
In 1707, Bach was hired to play for special services at a church in Mühlhausen; Bach composed the music in which he was to play. Shortly there after, his uncle died and left him 50 gulden. This provided him with enough money to marry Maria Barbara. In 1708, Bach received and accepted a job offering with a higher salary from the Duke of Weimar, Wilhelm Ernst, to play in his court.
While in Weimar , Bach was appointed court organist, and it is supposed that he wrote much of his organ music there. Much to the Dukes liking, along with Bach's salary increases, he earned the title of Konzertmeister (concert master). Six of Bach's children were born in Weimar. After seeking the more prestigious title of Kappelmeister (chapel master), he accepted an offer from Prince Leopold of Cöthen in 1717.
After his days in Cöthen, Bach accepted the job as Kantor at the Thomasschule. He was in charge of arranging the music of the four main churches in the town. Bach became extremely involved and composed much of his music in Leipzig . Bach spent the rest of his days there and in 1750, he died of a stroke.
The letters "LD" or the expanded "LDBMDA" appearat the top of many of Vivaldi's scores, especially operatic scores. The letterspossibly stand for "Laus DeoBeataeque Mariae Deiparae Amen".
The scores of 21 operas, including his first and last, are stillintact.
Vivaldi once earned a 50,000 ducat annual income according tothe Venetian commonplace book Commemoriali Gradenigo.
Vivaldi wrote over 500 concertos. He is believed to be theinventor of the ritornello form.
Vivaldi's father, Giovanni Battista Vivaldi, was born in1655. Eleven years later, after the death of his father, he moved toVenicewith his mother.He worked as a barber before becoming a professional violinist. In 1676, hemarried Camilla Calicchio. Vivaldi was born in twoyears later. He was the oldest of nine children.
Vivaldi was taught how to play violin at a young age byhis father. Together, they touredVeniceplaying the violin; similar to Mozart and his father. In 1693, Vivaldi entered into priesthood at the local churchesof S Geminiano and S Giovanni in Oleo, while livingwith his parents in the parish ofS Martino.In late 1706, Vivaldi withdrew from the priesthood, claiming that it wasbecause of his asthma. Others suspect that his musical aspirations andinterests lead him to withdrawal.
In 1703, Vivaldi became maestro diviolino at the Pio Ospedale dellaPietà, a home for orphaned, abandoned, and indigentchildren. The Pietà specialized in the teaching ofmusic to girls who showed aptitude; comparable to modern day musical therapy.Many concerts were held and many nobles attended them. Vivaldi was in charge ofteaching the music, the upkeep of instruments, and acquiring new ones. In 1709,he was let go for economic reasons, but in 1711, he was offered the job again.
Vivaldi was promoted to maestro de’concertiin 1716. It was during these years that Vivaldi wrote much of his music, including many operasand concertos. In 1718, Vivaldi began to travel. Despite his frequent travels,the Pietà paid him to write two concerto's a monthfor the orchestra and to rehearse with the at least four times when inVenice. The Pietà's records show that he was paid for 140 concertosbetween 1723 and 1729.
Vivaldi continued to lead a busy life. He traveledextensively, worked on again off again for the Pietà,and composed for many different people. Vivaldi died on July 28, 1741, while ona tripVienna,and was given a pauper's burial.